
From 2016. The interior, brightened and with sepia via Snapseed.

From 2016. The interior, brightened and with sepia via Snapseed.

At the château de Versailles.



As Henri Cartier-Bresson said, “Sharpness is a bourgeois concept.” This one’s all about the tones. From the window of our apartment on Place Maubert.





With the Byzantine mosaics of Empress Theodora visible. My point here wasn’t so much to show those mosaics — images of them are widely available — as to show their setting.

…of the Basilica of San Vitale. In Ravenna.

At the base of the Campanile. San Marco Square, Venexia.


An experiment in Lightroom. Guidecca, from San Giorgio Maggiore. I like the almost charcoal drawing quality.

From the campanile of San Giorgio Maggiore.

“Mist” — an installation at San Giorgio Maggiore by Jaume Plensa for the Biennale.



In Bruges.

In France, from the train.

In the Archaeology building, at Kildare St.



Taken from the Empire State Building.


For the Lexington Avenue exit.

In the Suzzallo Library of the University of Washington.



115 S Jackson St, Seattle.

The wind was blowing very strongly.

The Central train station in Stockholm. So, the crossroads of a country.

At the Oakland Musum of California.


At Pomona College. This picture is unusual in that everything other than the scan was done by hand — the assessment of light (ie, no meter), the developing in the darkroom.

St Matthew’s Episcopal church, designed by Charles Moore. In Pacific Palisades, California.

As it was in Los Angeles, circa 1988. The corner of 1st Street and Alameda Street in Little Tokyo.